1. |
Main Theme
04:54
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2. |
Building The Pyramids
02:32
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3. |
Repeater Acoustic
02:12
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4. |
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5. |
Arpeggio Chimes
01:51
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6. |
Drone 2
07:17
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7. |
Folk Tune
02:27
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8. |
Deep Cello
05:52
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9. |
Saturday 3
02:28
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10. |
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11. |
LMLP
05:10
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12. |
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13. |
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14. |
Saturday 1
03:16
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15. |
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16. |
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17. |
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18. |
Drone 1
14:40
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19. |
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20. |
Repeater Acoustic
01:25
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21. |
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22. |
Repeater Sequencer
02:38
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23. |
Saturday 2
02:42
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24. |
Friday Prelude
31:31
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25. |
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26. |
CTS
07:28
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27. |
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28. |
End Titles
12:37
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radio massacre international UK
radio massacre international (duncan goddard, steve dinsdale, gary houghton) are one of the UK's leading electronic music
groups, known for their prolifery of epic electronic excursions.
for you roll y'r own types, simplyburns is a multiplatform app for CD burning.
the provided artwork (bonus items) includes liners for sleeved CDs. 600dpi should do it.
... more
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honestly this album takes quite a bit of time and many listening rounds to actually "get into". No doubt it is technically excellent, with more advanced composition elements than earlier records, however it isn't that easily accessible either. Perhaps this is actually a strength as each time you will listen to there will be more details to discover.
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supported by 27 fans who also own “City 21: The Sessions”
Right up there with Kraftwerk, so i think.
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cosmic ground 2
by Cosmic Ground
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Strong and Strange. Raw and Analogue. This is EM "right in your face". Either love it or hate it. (I chose the first option).
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Gnarly punk rock from the Philadelphia duo is unhinged in the best way, an in-the-red sonic assault a la Motorhead/Stooges.
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Inspired by Rio de Janeiro’s iconic Carnival Parades comes this epic synth symphony from Brazilian artist Fordmastiff.
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featured on Bandcamp Radio Sep 14, 2021
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cosmic ground III
by Cosmic Ground
supported by 26 fans who also own “City 21: The Sessions”
I think Cosmic Ground is a exciting band. Old fashioned and with nice vibes and rhytms. But I miss something. Many compare with TD. Maybe, but I lack the crescendo at the end of the songs. It becomes boring when the end lacks a Froeselike guitarsolo. Something is missing, the crescendo is missing, the songs just exit out with no proper end explosion.
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